
Jonathan Faralli
Daniele Lombardi: works for percussion
When it comes to personal encounters, there are events for which the definition "mysterious" would be a huge understatement, and this is true of my meeting with Daniele Lombardi. I got to know the artist well (but the man far less so), witnessing a number of his musical performances both as a composer and a performer. These performances could occupy enormous spaces, especially when the famous 21 pianos were involved; I appreciated his dual talent for graphics and music, a sort of double-edged poetics, as we shall see; I admired his ceaseless efforts to disseminate the musical repertoire of the second half of the 20th century, especially Italian repertoire. Never would I have imagined that I would be dealing with his artistic legacy, after his sudden death in 2018, in my dual role as director of the Conservatorio Mascagni in Livorno, where part of his music library ended up, and as scientific head of the Accademia Nazionale di Santa Cecilia, where his most treasured works will be preserved.
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ATP026-27
Hotel Boltanski
On this recording, as I have already done in the past, I appropriated music that belonged ...

ATP010
Suono Segno Gesto Visione a Firenze 2
More than 50 years of musical culture have taken place in Florence since the end of World ...

ATP021
Cage Age
A fundamental aspect of Cage’s concept of music, from the form to the event, was randomn...